In reviving the green-glazed male pottery figures from the Tang Dynasty,在線中文黑料國產(chǎn) the choreographer from the China Coal Mine Art Troupe sought not only to recreate the physical language of Canjun Opera, but also aimed to unveil the tragic essence hidden beneath its comedic surface, shedding light on the hardships endured by ancient performers. Through this artistic expression, the director and performers aspired to deepen audiences' understanding of Canjun Opera—not only as a theatrical form but also as a reflection of the historical and cultural context embodied by these pottery figures.。
